Moving between the American South and Mexico, these stories explore how immigrant and native characters are shaped by absent family and geography. A Chilanga teen wins a trip to Miami to film a reality show about family while pining for the American brother she's never met. A Louisiana carpenter tends to his drug-addicted son while rebuilding his house after a slew of hurricanes. A New Orleans ne'er-do-well opens a Catholic-themed bar in the wake of his devout mother’s death. A village girl from Chiapas baptizes her infant on a trek toward the U.S. border.
In the collection’s second half, we follow a Veracruzan-born drifter, Manuel, and his estranged American son, Tommy. Over decades, they negotiate separate nations and personal tragicomedies on their journeys from innocence to experience. As Manuel participates in student protests in Mexico City in 1968, he drops out to pursue his art. In the 1970s, he immigrates to Louisiana, but soon leaves his wife and infant son behind after his art shop fails. Meanwhile, Tommy grows up in 1980s Louisiana, sometimes escaping his mother’s watchful eye to play basketball at a park filled with the threat of violence. In college, he seeks acceptance from teammates by writing their term papers. Years later, as Manuel nears death and Tommy reaches middle age, they reconnect, embarking on a mission to jointly interview a former riot policeman about his military days; in the process, father and son discover what it has meant to carry each other’s stories and memories from afar.
At turns funny and wise, in voices both lyrical and accessible, these stories investigate what it means to define oneself by blood in regions where, despite stark borders that constrict possibility and mold desire, the boundaries of identity remain mysterious and illuminating.
“This engaging debut collection observes wrongdoers trying to make things right, and those wronged learning to forgive. . . . Together these voices create a searing portrait of redemption as they reach for healing and reunion with lost family.”—New York Times
“Sanz’s notable debut collection brims with moments of culture shock and of characters negotiating with the tenuous hold on the land they call home. Sanz has a keen eye for details, and thankfully he hasn’t kept them bottled up.”—Publishers Weekly
“The Boundaries of Their Dwelling is a collection expansive and rich enough to hold the nature of family in all its facets. These characters go about abandoning and betraying and understanding and loving one another with all the complexity of real people. They convince, they live—and this collection is a stunning tapestry of their connections. Blake Sanz has written a beautiful, deeply moving book.”—Clare Beams, author, The Illness Lesson
"Blake Sanz is an exciting fresh presence on the literary scene. His prose reminds me of William Kittredge in its authenticity. This first book made me jealous.”—Luis Alberto Urrea, author, The House of Broken Angels
“The stories in Blake Sanz’s The Boundaries of Their Dwelling pivot on acute moments as the hilarious gives way to the painful, the painful to the beautiful, and the beautiful to the truth. The characters in these stories are not lifelike so much as they are alive, rendered warm-blooded and human by Sanz’s pitch-perfect details and lucid prose. Here is a collection of dreamers young and old, all in search of home, family, love, a place where they can be fully themselves. It’s a riotous collection of stories that together capture the tumult of what it means to be alive.”—Brandon Taylor, judge, Iowa Short Fiction Award
"These stories touch a western gulf coast and deep South populated with characters on the edge of something: desire, self-knowledge, political revolution, methamphetamine. Sanz has the outsider perspective locked down tight—like if Holden Caulfield grew up playing basketball in Baton Rouge or watching daytime TV in the CDMX. Sanz drops things that sound like young Denis Johnson mixed with Dubliners. This blistering new collection puts Sanz at the vanguard of a new generation of American writers. I can’t wait to read what comes next.”—Matt Bondurant, author, The Night Swimmer
“The stories in Sanz’s collection are so moving and evocative that I would like to describe each one. Although this is Sanz’s first collection of stories to be published, I hope to see much more work by him, in both short and long form.”—Austin American-Statesman