Theatre/Dance

Anderson, Jack. Art without Boundaries: The World of Modern Dance.

Anderson, Jack. Choreography Observed.

Ashby, Clifford. Classical Greek Theatre: New Views of an Old Subject.

Berkowitz, Joel. Shakespeare on the American Yiddish Stage.

Borovsky, Victor. A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevsky Family.

Brandesky, Joe, ed. Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited.

Braun, Edward. Meyerhold: A Revolution in Theatre.

Burian, Jarka M. Modern Czech Theatre: Reflector and Conscience of a Nation.

Canning, Charlotte M. The Most American Thing in America: Circuit Chautauqua as Performance .

Case, Sue-Ellen, & Janelle Reinelt, eds. The Performance of Power: Theatrical Discourse and Politics.

Davis, Jim, & Victor Emeljanow. Reflecting the Audience: London Theatregoing, 1840-1880.

Dharwadker, Aparna Bhargava. Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947.

Donohue, Joseph. Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894.

Feinberg, Anat. Embodied Memory: The Theatre of George Tabori.

Fischer-Lichte, Erika. The Show and the Gaze of Theatre: A European Perspective.

Golub, Spencer. The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia.

Maher, Mary Z., Foreword by John F. Andrews. Modern Hamlets and Their Soliloquies: An Expanded Edition.

Marra, Kim. Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914.

McArthur, Benjamin. Actors and American Culture, 1880-1920.

McConachie, Bruce. American Theater in the Culture of the Cold War: Producing and Contesting Containment, 1947-1962.

McConachie, Bruce A. Melodramatic Formations: American Theatre and Society, 1820-1870.

McCormick, John. The Victorian Marionette Theatre.

Mercer, Peter. "Hamlet" and the Acting of Revenge.

Moy, James S. Marginal Sights: Staging the Chinese in America.

Nadel, Alan, ed. May All Your Fences Have Gates: Essays on the Drama of August Wilson.

Orel, Harold, ed. Gilbert and Sullivan: Interviews and Recollections.

Osborne, Laurie E. The Trick of Singularity: "Twelfth Night" and the Performance Editions.

Parker, Dorothy, & Ross Evans, Introduction by Arthur F. Kinney. The Coast of Illyria: A Play in Three Acts.

Pechter, Edward. "Othello" and Interpretive Traditions.

Pechter, Edward, ed. Textual and Theatrical Shakespeare: Questions of Evidence.

Postlewait, Thomas, & Bruce A. McConachie, eds. Interpreting the Theatrical Past: Essays in the Historiography of Performance.

Rokem, Freddie. Performing History: Theatrical Representations of the Past in Contemporary Theatre.

Rozik, Eli. The Roots of Theatre: Rethinking Ritual and Other Theories of Origin.

Sauter, Willmar. The Theatrical Event: Dynamics of Performance and Perception.

Savitt, Todd L., ed. Medical Readers' Theater: A Guide and Scripts.

Senelick, Laurence. The Age and Stage of George L. Fox, 1825-1877.

Senelick, Laurence, ed. Wandering Stars: Russian Emigré Theatre, 1905-1940.

Tulloch, John. Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences.

Wikander, Matthew H. Fangs of Malice: Hypocrisy, Sincerity, and Acting.

Williams, Gary Jay. Our Moonlight Revels: "A Midsummer Night's Dream" in the Theatre.

Wilmer, S. E., ed. Writing and Rewriting National Theatre Histories.

Zarhy-Levo, Yael. The Making of Theatrical Reputations: Studies from the Modern London Theatre.